Pluto Press: Culture and Media Studies
|
Regulating The Press |
Tom O'Malley |
2000 |
|
Unreal Objects |
Kate O'Riordan |
2017 |
|
Ngugis Novels And African History |
James Ogude |
1999 |
|
Feminism, Interrupted |
Lola Olufemi |
2020 |
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Raiding The Gene Pool |
Jill Olumide |
2002 |
|
Such, Such Were the Joys |
George Orwell, Adapted by Sean Michael Wilson, Illustrated by Jaime Huxtable |
2021 |
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American Torture |
Michael Otterman |
2007 |
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We the Elites |
Robert Ovetz |
2022 |
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Cyberchiefs |
Mathieu O’Neil |
2009 |
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Rethinking Mixed Race |
David Parker |
2001 |
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War Reporters Under Threat |
Chris Paterson |
2014 |
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Global Metaphors |
Jo-anne Pemberton |
2001 |
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After Queer Theory |
James Penney |
2013 |
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The Reform Of Time |
Maureen Perkins |
2001 |
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Forbidden Fictions |
John Phillips |
1999 |
|
Sade |
John Phillips |
2001 |
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Contesting Publics |
Lynne Phillips and Sally Cole |
2014 |
|
Bad News From Israel |
Greg Philo and Mike Berry (Glasgow University Media Group) |
2004 |
|
More Bad News From Israel |
Greg Philo and Mike Berry |
2011 |
|
Bad News for Refugees |
Greg Philo, Emma Briant and Pauline Donald |
2013 |
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Reflections in a Bloodshot Lens |
Lawrence Pintak |
2006 |
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The Greatest Sedition Is Silence |
William Rivers Pitt |
2003 |
|
Left Populism in Europe |
Marina Prentoulis |
2021 |
|
Reimaging Britain |
Ron Ramdin |
1999 |
|
The Universal Journalist |
David Randall |
2000 |
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